A couple weeks ago now, NPR ran a short piece that featured the Musical Instrument Museum (the MIM). Ted Robbins quotes director Bill DeWalt noting that the museum is, ironically, “one of the most quiet museums you’ll ever be in.” The reason is that the sound samples illustrating the instruments are heard on headphones. This is the trend in musical museums, I believe, and it matches what I experienced five years ago at the Czech Museum of Music in Prague. Headphones and digital files are certainly one of the amazing technologies that offer a better experience to musical instrument museums!
Last year, when the MIM opened, however, Edward Rothstein was a bit more critical in his New York Times review. Comparing the museum to a “department store” because of its size and architecture, the criticism seemed to be that the collection is too large and lacks a focus in display:
Think of instruments, too, as a kind of raw material that you are confronted with as you walk through the expansive exhibit spaces of this $250 million museum. It is material that the institution celebrates, promotes and sometimes illuminates, and it makes the museum of immediate interest. But the possibilities, for now, are more compelling than the achievements.
Though I saw the museum before its exhibits were fully mounted (and obtained images, text and plans for what was missing), the impact of this institution is in its size, nerve and astonishing quality and character of parts of its collection. But it seems unfinished in ways that should be examined.
In any case, I want to go to the museum, and I encourage anybody in Phoenix to check it out! Have you been? What do you think?
The Musical Instrument Museum is at 4725 East Mayo Boulevard, Phoenix; (480) 478-6000; themim.org.